[1]汪湛穹.乡村传统戏剧的时代呈现——基于浙东抗日根据地“的笃戏”改造的考察[J].中国农史,2020,39(06):90-99.
WANG Zhan-qiong.On the Times Presentation of Rural Traditional Opera:Investigation on Reformation of Dedu Opera in the East Zhejiang Anti-Japanese Base[J].AGRICULTURAL HISTORY OF CHINA,2020,39(06):90-99.
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乡村传统戏剧的时代呈现——基于浙东抗日根据地“的笃戏”改造的考察()
《中国农史》[ISSN:1000-4459/CN:32-1061/S]
- 卷:
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39
- 期数:
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2020年06期
- 页码:
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90-99
- 栏目:
-
- 出版日期:
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2020-12-29
文章信息/Info
- Title:
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On the Times Presentation of Rural Traditional Opera:Investigation on Reformation of Dedu Opera in the East Zhejiang Anti-Japanese Base
- 作者:
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汪湛穹
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(厦门大学 人文学院,福建 厦门 361005)
- Author(s):
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WANG Zhan-qiong
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(College of Humanities,Xiamen University,Xiamen 361005)
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- 关键词:
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“的笃戏”; 浙东乡村; 抗日根据地; 时代呈现
- Keywords:
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DeDu Opera; the East Zhejiang; anti-Japanese base; the times presentation
- 分类号:
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S-09;K207
- 文献标志码:
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A
- 摘要:
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20世纪40年代,战斗于浙东抗日根据地的革命者,有感于乡土艺术的独特魅力,组建起社会教育工作队,进行“的笃戏”的改造。应和着救亡-民主声气的地方戏改造,并非简单解构传统艺术的美学秩序,更重要的是,通过戏剧演艺方式的改变,构筑与抗战精神相契的乡村社会秩序和文化家园。事实上,“的笃戏”改造突破了某些艺术表现的传统藩篱,在题材选择和表演技艺等诸多方面,获得了足显时代精神的表达方式,为乡村艺术的现代更生进行了富有历史价值的探索,值得重视。
- Abstract:
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The revolutionaries working in the East Zhejiang anti-Japanese base in 1940s,inspired by the unique charm of local art,established the social education team to turn the rural DeDu Opera into a modern form. Following the melody of salvation-democracy,the reformation was not only a deconstruction of the original aesthetic order,more importantly,it constructed the rural society order and cultural paradise that resonated with the anti-fascist spirit by adjusting performing method. In fact,DeDu Opera has broken the traditional rule of some artistic expression,with respect to topic selection,role play,etc.,gained the means of expression that adequately showed the spirit of the times. This reformation deserves attention because of the exploration full of historical value for the modernization of the rural traditional opera.
更新日期/Last Update:
2021-01-13